Sunday, December 13, 2009

RUHI SU (1912-1985)


Ruhi SU has brought a new life to Turkish music with his unique compilation, selection and performance of folk songs for more than forty years He was a virtuoso of the Turkish folk instrument, saz; a hard working folklorist compiling folk music; a pioneer at Turkish opera; a gifted Turkish composer and poet; and a beloved teacher of young intellectuals for decades. Naturally, these features dissolved into his charismatic personality that has affected the whole nation and even many people abroad who listen to his music.

He was born in Van, an Eastern district of Turkey and grew up in Adana, in the Southern region. He started playing violin at the age of ten. In 1936 he graduated from the Teachers School of Music and in 1942 from the Opera Department of State Conservatory in Ankara. For ten years he performed at the State Opera in Ankara as a celebrated bass baritone, appealing in operas such as Madame Butterfly, Fidelio, Tosca and Rigoletto. During his contemporary music education he also studied Turkish folk music and consequently made regular radio programs, playing saz and singing folk songs, while he worked at the opera. A political arrest in 1952 and imprisonment for five years ended his career in the opera. After serving his "sentence for thought" he dedicated himself to folk music in his unique way.


He compiled numerous folk songs while he roamed all over Anatolia from one village to another, and then he rearranged and performed them using western techniques His western music career formed the basis of his approach to interpreting and performing traditional Turkish music. He argued that the authentic music should not be imitated as it is found locally but rather elaborated into a national music with the enriching support of the international music. That is why the international audience would feel closer to and more familiar with his music, perceiving it as a contemporary of Atahualpa Yupanqui's and Pete Seeger’s.

Su combined his efforts of creating a national musicality from the folk songs with his compositions based on poems by famous Turkish poets, as well as his own poems. He has a rich folk song repertory with more then ten LPs on Traditional Turkish Folk Music, including Yunus Emre and Pir Sultan Abdal. He also established and trained a choir in the 70's and conducted them in many concerts and recordings His approach in bringing forth the sufferance, rebel and love of people in his musical work has gained a great respect and support from his audience and had a deep effect on many musicians who still follow his path.

Resource: http://turkishconnection.com/glossary.htm#RUHI%20SU

Armenian Genocide


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In 1915, the decaying Ottoman Empire launched a pogrom against eastern Turkey’s Armenian population, falsely accusing them of supporting a Russian invasion. Tens of thousands of men were shot and hundreds of thousands of women and children driven out of their homes and on forced marches towards Syria and Iraq. The death toll is estimated to have been a million people.

It was also one of the century’s first atrocities to be photographically covered; there are anonymous photographs and there are signed and documented photographs that corroborated witness accounts. A German military officer Armin T. Wegner, stationed with the 6th Ottoman Army, took a series of photographs of dying and dead Armenians. These pictures anticipates photographs that were to follow during the Second World War, and in the Killing Fields of Cambodia.

In fact, the international nonchalance over the Armenian genocide emboldened Hitler. In his August 1939, he spoke “Who after all is today speaking of the destruction of the Armenians?” in an haunting harbinger of his own Holocaust. “The world believes only in success,” he added, justifying his potential invasion of Poland and all the deeds that would follow that calamitous event.


Resource: http://iconicphotos.wordpress.com/2009/06/30/armenian-genocide/

Alevi

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Part of a series on Twelvers
Alevi

Beliefs

Haqq-Muhammad-Ali
Four Doors · Insan-i Kamil
The Qur'an · The Buyruks
Wahdat-ul-Wujood
Zahir · Batin

Practices

Fasting · Sema · Music
Zakat · Ziyarat · Taqiyya
Dushkunluk Meydani
Nowruz · Ashura
Hidrellez

The Twelve Imams

Ali · Hasan · Husayn
al-Abidin · al-Baqir · al-Sadiq
al-Kadhim · al-Rida · al-Taqi
al-Naqi · al-Askari · al-Mahdi

Figures

Muhammad-Ali · Ismail I
ibn Arabi · Yunus Emre
Pir Sultan · Hajji Bektash

Leadership

Dedes · Murshid · Pir
Rehber · Dergah · Jem
Cem Evi · Babas

Groups

Bektashi · Qizilbash · Ishikism

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The Alevi (Zazaki and Kurdish: Elewî) are a religious, sub-ethnic and cultural community in Turkey, numbering in the tens of millions . Alevism is considered to be a branch of Shia Islam. However, Alevi worship takes place in assembly houses (cemevi) rather than mosques. The ceremony (cem), features music and dance (semah). Unlike most other Muslim practices, Alevi rituals are conducted mostly in Turkish, and some in Kurdish.

Key Alevi characteristics include:

  • Love and respect for all people (“The important thing is not religion, but being a human being”)
  • Tolerance towards other religions and ethnic groups (“If you hurt another person, the ritual prayers you have done are counted as worthless”)
  • Respect for working people ("The greatest act of worship is to work”)
  • Equality of men and women, who pray side by side. Monogamy is practiced.

Alevism is also closely related to the Bektashi Sufi lineage, in the sense that both venerate Hajji Bektash Wali (Turkish: Hacibektaş Veli), a saint of the 13th century. Many Alevis refer to an "Alevi-Bektashi" tradition, but this identity is not universally accepted, nor is the combined name used by non-Turkish Bektashis (e.g., in the Balkans). In addition to its religious aspect, Alevism is also closely associated with Anatolian folk culture. Modern Alevi theology has been profoundly influenced by humanism and universalism. The 1990's brought a new emphasis on Alevism as a cultural identity.

The name Zulfiqar, a stylized representation of the sword of Ali.

Alevi are sometimes called "Qizilbashi" and some embrace this name. Others view this as a pejorative implying that their allegiance lies with Iran rather than Turkey. Many other names exist (often for subgroupings), among them Tahtacı "Woodcutters", Abdal "Bards" and Çepni.


History

Be a child of your times!

Not knowing (something) isn't a shame, not asking is.

—attributed to ‘Alī

Attempts to identify the origin of Alevism are inherently controversial. Many Alevis trace their tradition to primitive Islam and the Twelve Imams, a conclusion with which some prominent scholars agree.[1] Others see Alevism as a pre-Islamic substrate which acquired a veneer of Shī‘ī theology, and disagree as to whether to describe this folk culture as Turkic or Persianate. Still others detect the influence of Orthodox (Byzantine) or Armenian Christianity. More than one of these viewpoints might be true simultaneously.

The Turkic tribes of northern Iran and eastern Anatolia were converted to Shī‘ism during the Ilkhan Mongol period. The poet Yunus Emre and saint Hajji Bektash Wali were early saints of this period who would later become associated with Alevism. The Qizilbashi emerged from this milieu as a militant Sufi order centered in Ardabil whose leader Ismā‘il succeeded in conquering Persia.[citation needed]

The Qizilbash of Anatolia found themselves on the "wrong" side of the Ottoman-Safavid border after the 1555 Peace of Amasya. They become subjects of an Ottoman court which viewed them with suspicion.

Alevis were early supporters of Mustafa Kemal Atatürk, who they credit with ending Ottoman-era discrimination against them, while Kurdish Alevis viewed his rise with caution. However, Kemalism lost some of its appeal during the 1960s, as many Alevis flirted with leftist dissidence.

Demographics


Alevis in Turkey

The Alevi population has been estimated as follows:

  • "The Alevi constitute the second-largest religious community in Turkey (following the Sunnis), and number some 25% (15 million) of the total population (Alevis claim 30%–40%). Most (?) Alevis are ethnic and linguistic Turks, mainly of Turkmen descent from Central and Eastern Anatolia. Some 20% of Alevis are Zazas and Kurds (though most Kurds are Sunnis), and some 25% of Kurds and Zazas in Turkey are Alevi (Kurmanji and Zaza speakers)." —David Zeidan.[5]
  • "...a world total of between 15 and 25 million adherents. There is no independent data for their numbers, so these statistics are estimates or conjectures." —"Alevism," from The Encyclopedia of the Orient.

Alevis have been subjected to persecution (often deadly) for centuries. Due to this fact, some have been assimilated. It is not clear how effective above study is in including those who might be more timid about advertising their Alevi origins.

The Alevis are mainly from Turkish, Zaza or Kurdish origin. Some of the Kurdish Alevis speak Kurmanci another related but distinct ethnicity speak Zazaki. Some Alevis are Azeris. Despite universalist rhetoric (and in contrast with Islam in general, or the Bektashi order), Alevi communities do not generally acknowledge the possibility of conversion to Alevism.

Alevi communities are concentrated in central Anatolia, in a belt from Chorum in the west to Mush in the east. The only province within Turkey with an Alevi majority is Tunceli, formerly known as Dersim. Beginning in the 1960s, many Alevis have migrated to the large cities of western and southern Turkey—and to western Europe, especially Germany—and are now heavily urbanized.

There are also large communities of Alevis in some regions of Iranian Azerbaijan. The town of Ilkhichi (İlxıçı), which is located 87 km south west of Tabriz is almost entirely populated by Alevis. For political reasons, one of which was to create a distinct identity for these communities, they have not been called Alevi since the early ry20th century. They are called various names, such as Ali Illahi, Ahl-e Haqq and Goran.

Groups with similar beliefs also exist in Iranian Kurdistan. Interestingly, both the Dersim (Zazaki / Zaza) people and the Gorani, who are both considered to belong to the Hawramani branch of the northwestiranian language, adhere to a form of Alevi faith which resembles the religions of the Druze or Yazidi.

A Turkish scholar working in France has distinguished four main groups among contemporary Alevis, which cautiously show their distinctive features in modern Turkey.[8]

The first is mainly represented by the urban population and emerged during the Republic. It has for decades belonged to the political left and regards Alevism as an outlook on life more than a religion. The followers hold ritual unions of a religious character and have also established cultural associations named after Pir Sultan Abdal. Man enjoys a central role, as illustrated by the phrase "God is Man" quoted above in the context of the Trinity.
The second group is more directed towards heterodox mysticism and stands closer to the Haci Bektashi Brotherhood. St Francis of Assisi and Mahatma Gandhi are considered better believers than many a Muslim.
The third group regards themselves as true Muslims and are prepared to cooperate with the state. It adheres to the way of Jafar as-Sadiq, the sixth Imam. Its concept of God is closer to orthodox Islam, but like the two groups already mentioned it considers the Qur'an to have been manipulated by the early Sunni Caliphs in order to eliminate Ali.
The fourth is said to be under active influence from official Iranian Shi'a to be confirmed adherents to Twelver Shia and to reject Bektashism. It follows Sharia and opposes secular state power. Information on strength and location is not available.

Beliefs

Alevi beliefs are hard to define, since Alevism is a diverse movement without any central authority, and its boundaries with other groups are poorly demarcated. Many teachings are based on an orally transmitted tradition which has traditionally been kept secret from outsiders (but is now widely accessible). The basis for Alevism's most distinctive beliefs is found in the Buyruks (compiled writings and dialogues of Sheikh Safi al-Din (eponym of the Safavi order), Ja'far al-Sadiq (the Sixth Imam), and other worthies). Also included are hymns (nefes) by figures such as Shah Ismail or Pir Sultan Abdal, stories of Hajji Bektash and other lore.

Various opinions exist as to the nature of 'Ali. Most would credit him with supernatural strength and wisdom (surpassed only by the prophets), as well as a uniquely intimate connection with the Prophet Muhammad:

Muhammed ilim şehridir, Ali kapısıdır.
Muhammed is the city of spiritual knowledge, Ali is the door.

Many Alevi perceive a mystical unity between Ali and Muhammad (see Ali-Muhammad), and liken their relationship to the two sides of a coin, or two halves of an apple:

Ali Muhammed'dir, Muhammed Ali
Gördüm bir elmadır, elhamdü-lillâh
Ali is Muhammed, Muhammed is Ali;
I saw one apple, all praise is for Allah[9]

The phrase "For the love of God, Muhammed, Ali” (Hak-Muhammed-Ali aşkına), common to several Alevi prayers, may be taken as equating the authority of the three, or even as an attribution of divinity to 'Ali and Muhammad. In light of the Islamic emphasis on monotheism, such theories are deeply controversial.

Each of the Twelve Imams is said to partake of the "light" (Nur) of 'Ali. Thus Ali ibn Abi Talib is called the "First Ali" (Birinci Ali), Hassan ibn 'Alī the "Second 'Ali" (İkinci Ali), and so on up to the "Twelfth 'Ali" (Onikinci Ali), Muhammad al-Mahdi.

Despite this essentially Shi‘i orientation, much of Alevism's mystical language is inspired by Sunni traditions. For example, the Alevi concept of God is derived from the philosophy of Ibn al-'Arabi and involves a chain of emanation from God, to spiritual man, earthly man, animals, plants, and minerals. The goal of spiritual life is to follow this path in the reverse direction, to unity with God, or Haqq (Reality, Truth). From the highest perspective, all is God (see Wahdat-ul-Wujood). Alevis often admire Mansur Al-Hallaj, a 10th century Sufi executed in Baghdad for blasphemy for saying “I am Truth” (Ana al-Haqq).

Another important Alevi concept is that of the "Perfect Human Being" (Insan-i Kamil). (This wording is Sunni; the Shi‘i counterpart would be the "Perfect Shi'a".) Most Alevis would think first of Ali, Hajji Bektash Wali, or the other saints. However the Perfect Human Being has also been identified with our true identity as pure consciousness, hence the Qur'anic concept of human beings not having original sin, consciousness being pure and perfect. The human task is to fully realise this state while still in material human form.

Many Alevis would define the Perfect Human Being in practical terms, as one who is in full moral control of his or her hands, tongue and loins (eline diline beline sahip); treats all kinds of people equally (yetmiş iki millete aynı gözle bakar); and serves the interests of others. One who has achieved this kind of enlightenment is also called eren or munavver.

Practices

The Alevi spiritual path (yol) is commonly understood to take place through four major life-stages, or "gates":

1. Sheriat (Sharia) ("religious law")
2. Tarikat ("spiritual brotherhood")
3. Marifat ("spiritual knowledge")
4. Hakikat ("Reality" or "Truth", i.e., God)

These may be further subdivided into "four gates, forty levels (dört kapı kırk makam). The first gate (religious law) is considered elementary (and in this we may perceive a subtle criticism of other Muslim traditions).

The following are major crimes that cause an Alevi to be declared düşkün (shunned):[10]

  • killing a person
  • committing adultery
  • divorcing one’s wife
  • marrying a divorced woman
  • stealing

Most Alevi activity takes place in the context of the second gate (spiritual brotherhood), during which one submits to a living spiritual guide (dede, pir, mürşit). The existence of the third and fourth gates is mostly theoretical, though some older Alevis have apparently received initiation into the third.[11]



Cem




The central Alevi corporate worship service is the cem . The ceremony's prototype is the Prophet Muhammad's nocturnal ascent into heaven, where he beheld a gathering of forty saints (Kırklar Meclisi), and the Divine Reality made manifest in their leader, Ali.

Semah, a family of ritual dances characterized by turning and swirling, is an inseparable part of any cem. Semah is performed by men and women together, to the accompaniment of the bağlama. The dances symbolize (for example) the revolution of the planets around the Sun (by man and woman turning in circles), and the putting off of one’s self and uniting with God.

The Rite of Integration (görgü cemi) is a complex ritual occasion in which a variety of tasks are allotted to incumbents bound together by extrafamilial brotherhood (musahiplik), who undertake a dramatization of unity and integration under the direction of the spiritual leader (dede).

The phrase mum söndü ("The candle went out") alludes to an accusation about a holy moment of some cem rituals in which twelve candles (representing the Twelve Imams) are doused with water. For centuries it has been widely spread among Sunnis to demean Alevis by accusing them of having orgies after blowing off the ritual candles.

This accusation has especially been used during the time of the Safavid-Ottoman conflict, as means to justify killing of the Qizilbash people, which were declared "infidels" by the Ottomans.

Musahiplik

Musahiplik (roughly, "Companionship") is a covenant relationship between two men of the same age, preferably along with their wives. In a ceremony in the presence of a dede the partners make a life-long commitment to care for the spiritual, emotional, and physical needs of each other and their children. The ties between couples who have made this commitment is at least as strong as it is for blood relatives, so much so that müsahiplik is often called spiritual brotherhood (manevi kardeşlik). The children of covenanted couples may not marry.[12]

Krisztina Kehl-Bodrogi reports that the Tahtaci identify musahiplik with the first gate (şeriat), since they regard it as a precondition for the second (tarikat). Those who attain to the third gate (marifat, "gnosis") must have been in a musahiplik relationship for at least twelve years. Entry into the third gate dissolves the musahiplik relationship (which otherwise persists unto death), in a ceremony called Öz Verme Ayini ("ceremony of giving up the self").

The value corresponding to the second gate (and necessary to enter the third) is aşinalik ("intimacy," perhaps with God). Its counterpart for the third gate is called peşinelik; for the fourth gate (hakikat, Ultimate Truth), cingildaşlik or cegildaşlik (translations uncertain).[13]

Folk practices



Many folk practices may be identified, though few of them are specific to the Alevis. In this connection, scholar Martin van Bruinessen notes a sign from Turkey's Ministry of Religion, attached to Istanbul's shrine of Eyüp Sultan, which presents

...a long list of ‘superstitious’ practices that are emphatically declared to be non-Islamic and objectionable, such as lighting candles or placing ‘wishing stones’ on the tomb, tying pieces of cloth to the shrine or to the trees in front of it, throwing money on the tomb, asking the dead directly for help, circling seven times around the trees in the courtyard or pressing one’s face against the walls of the türbe in the hope of a supernatural cure, tying beads to the shrine and expecting supernatural support from them, sacrificing roosters or turkeys as a vow to the shrine. The list is probably an inventory of common local practices the authorities wish to prevent from re-emerging.[14]

Other, similar practices include kissing door frames of holy rooms; not stepping on the threshold of holy buildings; seeking prayers from reputed healers; making 'Lokma' and sharing it with others.

Festivals

Newroz (Persian: Nowroz, literally "New Day") is the ancient Iranian New Year, observed and practiced by Iranians and many ethnic groups(Ulghurs, Kurds, Uzbeks...)on 21 March (the Spring equinox) as a celebration of newness and reconciliation. Apart from the original beliefs of the Zorastrian founders of Nowruz, Alevi also celebrate and commemorate the birth of Ali; the wedding of Ali and Fatima; the rescue of the prophet Joseph from the well; and / or the creation of the world on this day. Various cems and special programs are held.

Hidrellez honors the mysterious figure Khidr (Turkish Hizir) who is sometimes identified with the prophet Elijah (Ilyas), and is said to have drunk of the water of life. Some hold that Khidr comes to the rescue of those in distress on land, while Elijah helps those at sea; and that they meet at a rose tree in the evening of every 6th of May. The festival is also celebrated in parts of the Balkans by the name of "Erdelez," where it falls on the same day as Djurdjevdan or St. George's Day.

Khidr is also honored with a three-day fast in mid-February called Hızır Orucu. In addition to avoiding any sort of comfort or enjoyment, Alevis also abstain from food and water for the entire day, though they do drink liquids other than water during the evening.

Note that the dates of the Khidr holidays can differ among Alevis, most of whom use a lunar calendar, but some a solar calendar.

The Muslim month of Muharram (or Mâtem Orucu) begins 20 days after Eid ul-Adha (Kurban Bayramı). Alevis observe a fast for the first twelve days. This culminates in the festival of Ashura (Aşure), which commemorates the martyrdom of Imam Hussain at Karbala. The fast is broken with a special dish (also called aşure) prepared from a variety (often twelve in number) of fruits, nuts, and grains. Many events are associated with this celebration, including the salvation of Hussain's son Zaynul Abideen from the massacre at Karbala, thus allowing the bloodline of the family of the prophet to continue.

Almsgiving

Alevis are not expected to give Zakat in the Islamic mode, and there is no set formula or prescribed amount for charity. A common method of Alevi almsgiving is through donating food (especially sacrificial animals) to be shared with worshippers and guests. Alevis also donate money to be used to help the poor, to support the religious, educational and cultural activities of Alevi centers and organizations (dergâh, vakıf, dernek), and to provide scholarships for students.

Sacred places

While Alevism does not recognize an obligation to go on pilgrimage, visiting ziyarat and performing dua at the tombs of Alevi-Bektashi saints or Pirs is quite common. Some of the most frequently visited sites are the shrines of Shahkulu and Karacaahmet (both in Istanbul), Abdal Musa (Antalya), Seyit Gazi (Eskishehir), the annual celebrations held at Hacibektas (16 August) and Sivas (the Pir Sultan Abdal Kültür Etkinlikleri, 23-24 June).

In contrast with the traditional secrecy of the cem ritual, the events at these cultural centers and sites are open to the public. In the case of the Hacibektaş celebration, since 1990 the activities there have been taken over by Turkey's Ministry of Culture in the interest of promoting tourism and Turkish patriotism rather than Alevi spirituality.

Some Alevis make pilgrimages to mountains and other natural sites believed to be imbued with holiness.

Leadership structure



In contrast to the Bektashi tariqa, which like other Sufi orders is based on a silsila "initiatory chain or lineage" of teachers and their students, Alevi leaders succeed to their role on the basis of family descent. Perhaps ten percent of Alevis belong to a religious elite called ocak "hearth", indicating descent from ˤAlī and/or various other saints and heroes. Ocak members are called ocakzades or "sons of the hearth". This system apparently originated with Safavid Persia.

Alevi leaders are variously called murshid, pir, rehber or dede. Groups that conceive of these as ranks of a hierarchy (as in the Bektashi tariqa) disagree as to the order. The last of these, dede "grandfather", is the term preferred by the scholarly literature. Ocakzades may attain to the position of dede on the basis of selection (by a father from among several sons), character, and learning. In contrast to Alevi rhetoric on the equality of the sexes, it is generally assumed that only males may fill such leadership roles.

Traditionally dedes did not merely lead rituals, but led their communities, often in conjunction with local notables such as the ağas (large landowners) of the Dersim Region. They also acted as judges or arbiters, presiding over village courts called Düşkünlük Meydanı.

Ordinary Alevi would owe allegiance to a particular dede lineage (but not others) on the basis of pre-existing family or village relations. Some fall instead under the authority of Bektashi dargah (lodges).

In the wake of 20th century urbanization (which removed young laborers from the villages) and socialist influence (which looked upon the dedes with suspicion), the old hierarchy has largely broken down. Many dedes now receive salaries from Alevi cultural centers, which arguably subordinates their role.[15] Such centers no longer feature community business or deliberation, such as the old ritual of reconciliation, but emphasize musical and dance performance to the exclusion of these.[16] Dedes are now approached on a voluntary basis, and their role has become more circumscribed—limited to religious rituals, research, and giving advice.

Women in Alevism

According to John Shindeldecker "Alevis are proud to point out that they are monogomous, Alevi women worship together with men, Alevi women are free to dress in modern clothing, Alevi women are encouraged to get the best education they can, and Alevi women are free to go into any occupation they choose."[1]

According to Australian anthropologist Dr. Sevgi Kilic, while Alevi women do not experience gender segregation in the private and public domain they are subject to traditional male values about women's sexuality and constructed within the honour/shame paradigm. Dr. Sevgi Kilic is of Alevi heritage and her family migrated to Australia some 40 years ago. Growing up in a western society she was unaware of the rich culture and traditions and the unique identity of the Alevi, and she poignantly reveals how she "learnt to be an Alevi" through the narratives of the women in her study. This ethnography is the first on Alevi women in Turkey and argues that Alevi identity is complex, diverse and rich in its theory and practice.

Hence, while rural Alevi women subscribe to traditional conservative views about women's status in the family, these ideas are rapidly changing within an urban environment, where many are compelled to work as domestic servants and in other low paid jobs. Alevi women are not required to wear a headscarf or other bodily coverings. According to Kilic this is because Alevi identity is very much focused on the internal rather than the external representation and covering women's hair or concealing the female body in and of itself cannot legitimize women's moral, social, political and economic worth. Thus an unveiled Alevi woman cannot impugn her honour or her communities. Thus Alevi women's bodies are what Kilic calls paradoxically 'neutral' and acts as an "ideology of difference."

Relations with other Muslim groups

According to more orthodox muslims, Alevis are labeled as "ghulat" groups, since Alevis praise Ali beyond what mainstream Shi‘ites or Sunnis would allow. He and Muhammad are likened to the two sides of a coin, or the two halves of an apple. Some even speak of a trinity of Allah, Muhammad, and Ali.

Relations with Shi'a

Alevism is a unique sect of Shi‘a Islam [17], as Alevis accept Twelver Shi‘a beliefs about Ali and the Twelve Imams. But many Alevis are uncomfortable describing themselves as orthodox Shi‘a, since their philosophy, customs, and rituals are significantly different than those of Twelver Shi'as in Iraq and Iran. Nonetheless, Ayatollah Ruhollah Khomeini decreed Alevis to be part of the Shi'a fold in the 1970s. [18]

Relations with Ahl al-Sunnah

The relationship between Alevis and Sunnis is one of mutual suspicion and prejudice dating back to the Ottoman period. Sunnis have accused Alevis of heresy, heterodoxy, rebellion, betrayal and immorality. Alevis, on the other hand, have argued that the original Quran does not demand five prayers, nor mosque attendance, nor pilgrimage, and that the Sunnis distorted early Islam by omitting, misinterpreting, or changing important passages of the original Quran, especially those dealing with Ali and ritual practice.[19]

Alevis see Sunni narrowmindedness as originating in Arabia and as contrary to the Turkish national character. Some Alevis believe Sunna and Hadith were Arab elite innovations, created to ensure Arab dominance of Islam and to enslave the masses through manipulation. Sunnism, according to the Alevis, is not true Islam but an aberration that by its strict legalism opposes free and independent thought and is seen as reactionary, bigoted, fanatic, and antidemocratic. Alevis believe Sunni nationalism is intolerant, domineering, and unwilling to recognize Alevi uniqueness.[20]

In today's political arena Alevis see themselves as a counterforce to Sunni fundamentalism in Turkey. Alevis, who have a great interest in blocking the rising fundamentalist influence, are the main allies of the democratic secularists, and are also searching for alliances with moderate Sunnis against the extremists. They are demanding that the state recognize Alevism as an official Islamic community equal to, but different from, Sunnism.

There is some tension between folk tradition Alevism and the Bektashi Order, which is a Sufi order founded on Alevi beliefs.[21] In certain Turkish communities other Sufi orders ( the Halveti-Jerrahi and some of the Rifa'i) have incorporated significant Alevi influence. Though generally regarded as a Sunni group historically, some Rifa'is accept the Alevi identity. This is particularly common among Turkish teacher Sherif Baba's Rifa'i Marufi Order, whose worship combines elements of typical Alevi traditions with Sunni practices. They have sometimes identified with the Alevi, with whom they share secularist principles, a general scepticism of extreme orthodoxy, an emphasis on men and women worshipping together, a common group of revered saints such as Hajji Bektash Veli and Pir Sultan Abdal and a deep devotion to the family of the Prophet Muhammad.

Sivas Massacre



On July 2, 1993, Alevis were celebrating the Pir Sultan Abdal Festival. Coming out of mosques after their Friday's prayer, a mob of 20,000 or so Sunnis surrounded the Madimak hotel, chanting anti-Alevi and pro-sharia slogans. They set the hotel on fire and pelted the hotel with stones. While the fire killed thirty seven Alevis, the police, soldiers, and the fire-department did nothing to stop the fire, or save the people. The events surrounding the massacre were captured by TV cameras and broadcast all over the world. Every year, during the anniversary of the massacre, various Alevi organizations call for the arrest of those responsible. 33 individuals were sentenced to death in 1997 for crimes related to the massacre, but they were never executed.

There was also a drive-by shooting of Alevis in Istanbul's Gazi neighborhood in 1995 which resulted in the death of some Alevis. Then when protests followed, police periodically opened fire on the demonstrators. When the protests were over, there were a total of fifteen Alevis killed. The result was a revival of Alevi identity, and debate over this identity which continues today.



Alevi music


Alevi religious services, referred to collectively as cem or âyîn, include spiritual exercises that incorporate elements of zikr ("remembrance" or recitation of God's names, in this case without controlled breathing, but with some elements of body posturing) and sema (ritual dance). The latter is accompanied by sung mystical poetry in the vernacular, and by the sacred ritual instrument known as baglama or saz (a plucked folk lute with frets).

Such music is performed by specialists known as zâkir, aik, sazende or güvende, depending on regional usage. They are recruited from Alevi communities and descended from dede lineages. Many are also known to be poet/minstrels (aik, ozan) who perpetuate the tradition of dervish-lodge (tekke) poets such as Yunus Emre (13th century), Nesîmî (14th century), Pir Sultan Abdal, Hata'î and Genç Abdal (16th century) and Kul Himmet and Kul Hüseyn (17th century). The poetry was composed in the Turkish vernacular and follows the principles of folk prosody known as hece vezne in which the focus is the number of syllables.

The specialized sacred musical repertoire of Alevi musicians includes

  • Deyiş (songs of mystical love)
  • Nefes (hymns concerning the mystical experience)
  • Düvaz or dıwes imâm (hymns in honor of the 12 Alid imams)
  • Mersiye (laments concerning the martyrdom of Imam Huseyn at Karbala)
  • Miraclama (songs about the ascent of the Prophet Muhammad to heaven)
  • Sema (ritual dance accompanied by folk lutes and sung poetry)

The dances are performed with dignity by couples, and choreographies employ circle and line formations as well as arrangements where couples face one another, thus synchronizing their movements more closely. As the tempo of the music increases, the figures become more complex and intense. There are many regional variants of sema, but the most widespread and important are the Dance of the Forty (Kırklar Semah) and the Dance of the Cranes (Turnalar Semah).

The âyîn-i-cem can be heard on the JVC CD Turkey. An Esoteric Sufi Ceremony. Unfortunately for non-specialists, the notes are very vague and give no indication of location, performers, musical genres or poetic forms. The recording was made in Istanbul in 1993, and the ceremony includes in an order typical of a cem: a deyi that reiterates the line of descent of the sect in a historical framework, two düvaz (one based on the poetry of Hatayi, and the other on the poetry of Kul Himmet), prayer formulas, the illâllâh genre that incorporates the tahlîl formula into the poem to create an atmosphere of zikr while sect members create rhythmic intensity by hitting their knees in time to the music and sway their bodies slightly, the Dance of the Forty (Kırklar Semah), the Dance of the Cranes (Turnalar Semah) and prayer formulas.

Alevis have a significant role in Turkish music and poetry. Pir Sultan Abdal, a 16th century Alevi poet whose poems and songs often contain spiritual themes, is revered as a saint and hero. Important figures are the Sufi poet Yunus Emre, widely regarded as having been Alevi, and Kaygusuz Abdal. Their poems shape Turkish culture up to now, and are also performed by modern artists. Songs attributed to these poets have been embraced by left-wingers in the 20th century. The aşık bards are also influenced by Alevi tradition.

Many of the major traditional musicians in Turkey are Alevi, including Arif Sağ, Musa Eroğlu, Erdal Erzincan, Neşet Ertaş, Muharrem Ertaş, Aşık Mahzuni Şerif, Aşık Feyzullah Çınar, Aşık Veysel Şatıroğlu, Ali Ekber Çiçek, Sabahat Akkiraz, Belkıs Akkale, and Ulaş Özdemir. Other non-Alevis, such as Ruhi Su, have recorded many Alevi songs. Mercan Dede, an artist whose music combines electronic and traditional Sufi elements, has made some songs involving Alevi themes in cooperation with singer Sabahat Akkiraz. [2]

Resource: http://en.wikipedia.org/wiki/Alawites